Pitchfork dissed it far too easily (Pitchfork tends to be a hype machine anyhow). A more telling review is this one:
"[He] has successfully bridged the gap between trance at the dawn of the decade and trance at the end of it. It’s not that this is “Too Good to Be True,” as [suggested]. It’s just about being in the right place at the right time." (Source)
My review: sounds really good at 70 mph.